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This is the type of film that creates the true lovers of anime. And even if many have tried after it, no one has been capable to create a story as powerful as half-human-half-cyborg cop Motogo Kusanagi’s trip through the cyber-hell around her. Ghost in the Shell (1995)īased on Ghost in the Shell (the manga) by Masamune ShirowĪnother popular film, this sci-fi art piece by the imaginative Mamoru Oshii provided us the archetype of the psychologically detached woman cyborg. This technological masterpiece is the ancestor of action anime and still is regarded as one of the best Japanese movies of all-time. The brave story of rider rebels Tetsuo Shima and Shotaro Kaneda considers the significance of their life as they battle with government oppression. And if you’re someone looking for pure eye candy, this is a film with more than plenty of that, and it’s hard to not recommend it just on that.While not the first movie on this list, any analysis of recent anime filmmaking is not complete without the cyberpunk traditional genre. Even though I couldn’t get that much into the plot, the imagery alone is still beautiful to watch. Where it lacks in story and character, Steamboy is still an amazing feat in animation. Some of those images would make great, emotional scenes to properly wrap up the film and give it a stronger ending. I’m already burned out as is, but I also have to see how it ends, and even then, it seems kinda lazily slapped on as an afterthought which makes me wonder why it couldn’t be a part of the actual film.
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They just play a montage of images as the credits roll to tie up the loose ends. Without giving too much away, the ending feels super rushed. There’s only so much the message can be made blatantly obvious until it wears out. But I was noticing the length, and felt it could’ve cut down a bit on the action scenes, science talks, and Scarlett being absolutely fucking obnoxious. It’s great world building, and Ray has an interesting arc as a young inventor to figure out what his role should be in a rapidly changing world as his family is split. I kept checking the time throughout, and even at the climax, there was still 20 minutes left. Unfortunately, what it doesn’t have is reasonable pacing.Īt two hours, it drags on and on. It presents a lot of interesting dilemmas of scientific progress, what certain powers should be used for, and humanity’s trajectory to violence. While the story is a bit recycled and the themes and motifs are shoved in your face, it’s still fascinating in this steampunk environment before they were plunged into World Wars. It’s also nice to see a Victorian/Industrial England that isn’t just gray and drab it provides more variety in color and shows off the beauty in these grand machines. This leads to some wonderful and grand action scenes, one right after the other with explosions, wild angles, and flying. The CGI is amazingly integrated in, the English scenery is beautiful, the machines are amazingly detailed and massive, and the characters have great Otomo-fluid expressions and movement. Like I said in the intro, the animation is damn impressive and worth the years it spent in production.
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And Ray is stuck in a family power struggle between his father and grandfather as they each believe the Steam Ball should be used for different purposes, and more inventors in London seek the power for their own gains. Edward Steam, as he learns what the Steam Ball will be for with inventions of tremendous power. Along the way, he reunites with his father, Dr. Ray soon finds himself on the run with the Steam Ball to keep it from a suspicious organization’s hands. Lloyd Steam, which contains a powerful device known as a Steam Ball which has a near limitless amount of energy to power any machine with steam.
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One day, he receives a package from his grandfather, Dr. Right at the turn of the century in Victorian England, a young boy named Ray Steam aspires to be a great inventor like his father and grandfather, both of which are constantly away for work. From the animation alone, that hard work definitely paid off to make it look as great as it does. This was one of the most ambitious films to come out of Japan with it being incredibly expensive and spending 10 years in production with more than 180,000 drawings and 440 CG cuts. Katsuhiro Otomo, the same great mind behind Akira, is back at again with his second major anime film release Steamboy.